The original projectors were the Gaumont Eclipse that had turntables on the back for sound on disc. The turntables were never used at the Gaumont because by 1931 all films had the optical sound track. These projectors were eventually replaced by the Gaumont Kalee 21s.
The first chief projectionist was the highly regarded Bertram Egginton, having transferred from the Grand Theatre, Edgeware Road, London, to take charge of this important venue. Bert was a member of his families trick cyclist group, known as The Lottos. After his brother was killed in an accident the group disbanded and Bert became a projectionist. Many years later, his son Nicholas, would become a General Manager with Odeon Cinemas, managing several important venues across the UK. Bert remained as chief projectionist and stage manager at this cinema until he passed away at the age of 63.
Having transferred from the silent Glynn Picture Hall on Foregate Street, Fred Dickenson was also part of the original projection team that included Ron Arkinstall and Gordon Dixon. Fred eventually became chief projectionist.
Gaumont Kalee 21 equipment and Kalee Duosonic valve amplifier rack.
There was also a slide projector and spotlights (limes), installed for stage work.
In the 1950s, Fred Morgan, John Paskin, Bill Roxburgh, Vincent Stonely, Frank Griffiths were members of the projection team.
The Gaumont, Odeon, Music Hall, and Majestic cinemas were managed by CMA. Often the projection staff from these cinemas were seconded to assist on the technical work when stage shows took place at the Gaumont.
