Preston, PR1 3BU
Original Owners: Provincial Cinematograph Theatres Ltd.
Architect: W.E. Trent.
Interior Plasterwork: John Gibirdi of Preston.
Wurlitzer 2Manual/9Rank organ installed, opened by Leslie J. Rogers.
Seating Capacity: Stalls~ 1450. Circle~ 670. Total: 2200.
Date Opened: Monday 17th September 1928.
Closed for Major Structural Alterations: 1962.
Re-opened as a Cinema & Dancehall: 28th January 1963.
Screen 2 opened in the former café area: 1970.
Date Closed: Saturday 12th September 1992.
Building: Derelict and severely fire damaged.
Demolished June 2022.
A cinema in the process of construction on this site on Church Street, Preston was nearing completion when Provincial Cinematograph Theatres purchased the unfinished project. The cinema was to have been named the Coliseum. However, PCT had other ideas. They engaged the services of architect W.E. Trent to create a huge building that swallowed up the original cinema design. In fact the space allocated for the Coliseum’s 900 seat auditorium became the crush hall area!
The new high spec auditorium with stage facilities was built onto the existing structure. The splendid ornate plasterwork was carried out by John Gibirdi, a firm that was based in Preston.
The stalls area seated 1450 patrons, while the balcony area accommodated a further 670 giving a total capacity of 2120. A café was integral to the building. The New Victoria Theatre was equipped with a Wurlitzer 2Manual/9Rank organ with a console that was installed centrally on a lift.
Under PCT management the sumptuous “Super Cinema” opened its doors on Monday 17th September 1928 and named the New Victoria Theatre. Renowned organist Leslie J. Rogers played the Wurlitzer organ at the Gala Opening. An orchestra played music to accompany the moving silent images.
Within six months Provincial Cinematograph Theatres were taken over by Gaumont British Theatres in February of 1929 who became the owners of the New Victoria Theatre. However the cinema was not renamed Gaumont until 1952.
Major alterations took place during 1962 when the building was subdivided with a modern cinema that seated 1229 seats in the upper level and a Top Rank Suite/Ballroom that boasted a fully sprung maple floor at ground level.
As it quickly adapted to sound business was good, thanks to the first run supply of films provided by Gaumont British management. Throughout the heyday of cinema the New Victoria constantly enjoyed capacity houses. However, like most large cinemas it began to struggle in the 1950s as audience numbers dwindled.
Rank had added the now Gaumont into its portfolio of cinemas. The company decided that the building was to be drastically altered in order for it to survive. Ambitious plans were drawn up and in 1962 the cinema closed. Construction work started immediately to transform the building by removing the balcony, then extending a solid floor across in its place to form one level.
This space was to provide a new modern cinema in the upper level. The original stalls area would be remodeled into a Top Rank Ballroom Suite, complete with a fully sprung maple wood floor. The grand reopening took place on 28th January 1963. The 1229 seat cinema was now an Odeon showing its first film “On The Beat” starring Norman Wisdom. British film star Leslie Phillips and comedian Stanley Baxter were there in person.
The mixture of cinema and ballroom seem a winning combination during the 1960s. A second 105 seat cinema was added in the space that was once the café. A trend with both large cinema circuits was to put extra screens into their picture palaces in an attempt to encourage more people through the doors.
However, once the multiplex operators started to open purpose built multi screen units in the 1980s the competition became intense. The Preston Odeon on Church Street was no exception to this challenge. The cinema closed on 12th September 1992 with the upper cinema of the building remaining boarded up. However, the dance hall was converted into a night club, known as ‘Clouds’. It was later given a £5000 make-over and renamed “Lava Ignite”.
The building lay derelict, and due to poor security, was left to the mercy of vandals. Eventually, in May 2022, arsonists made two attempts in one week to burn the building down. The fires consumed the interior and roof.